Romain Virgo: ‘The Gentle Man’ Album

Romain Virgo‘s latest album, ‘The Gentle Man’, is an exciting, fresh listen that will grab the ears and satiate the musical palate. Featuring Masicka (“Been There Before”), Patoranking & Silly Walks Discotheque (“I Believe”), Jesse Royal (“Bridges”), and Capleton (“You Must Pay”), the album packs twelve tracks that have been curated for one’s aural delight.

The writers were Romain Virgo, Javaun Fearon, Nicholas Browne, Rayon Curate, Romeich Major, Donovan Bennett, Matthew Keaveny, Daniel Weltner, Nkunku Maximila Milanda, Patrick Nnaemeka Okorie, Phillip Meckseper, Oliver Schrader, Joscha Hoffman, Maurice Delauney, Dennis Emmanuel Brown, Phillip James, Andre Stefan Hall, Sean Alaric, Simon Alexander Mitchell, Terry Bennett, Kareem Spencer, Jesse Gray, Oliver Rodigan, Clifton Bailey III, Dayan Foster and Hugh Beresford Hammond.

Drums and bass were by Romeich Major, Dj Densen, .MLND, Maurice ‘Seani B’ Delauney, Kevin McPherson, Makiri Whyte, Jevaughn Latty, Andre Hall, Phillip ‘Winta’ James, Devon Bradshaw, Glen Browne, Oliver ‘Cadenza’ Rodigan, and Donald ‘Danny Bassie’ Dennis. Keyboards were played by Rayon ‘Slyda’ Ricardo Curate, Evad Campbell, .MLND, Kevin McPherson, Roan Johnson, Phillip ‘Winta’ James, and O’Niel Dacres.

Background vocals were Tori-Ann Ivy, Janeel Mills, and Carl Lee Scharsmidt. Guitarists were DJ Densen, . MLND, Jared Ansine, Ian ‘Beezy’ Coleman, Ranoy Gordon, and N’namdi Robinson. The saxophone was played by Dean Fraser. Recording engineers were Nicholas ‘Niko’ Browne, Orane Carney, Michael ‘Boxxy’ Howell, Tandra Jahgroo. Donovan ‘Doncorleon’ Bennett and Phillip Meckseper played all the instruments for the respective tracks.

Publishers were credited as STB Music Inc. dba Music by STB (ASCAP), Jack Russell Publishing Dubplate Music, Jack Russell Publishing, Ultra International Publishing Company, Islandrockpublishing Llc/Bmi, GEMA, Mad Decent, Sony ATV, Maurice Delauney, Analog MetaSongs (PRS), Sean Alaric Publishing, Giving Pro Music Publishing, Universal Music Publishing, Clifton Bailey III and Dayan Foster (ASCAP).

The recording studios used were Lifeline Music Studio, Bay Eight Recording Studios, Tuff Gong Studio, Anchor Recording Studios, Big Yard Studios and Tad’s Recording Studio. Producers included Romeich Major, Rayon ‘Slyda’ Ricardo Curate, Nicholas ‘Niko’ Browne, Donovan ‘Doncorleon’ Bennett, DJ Densen, .MLND, Oliver Schrader, Joscha Hoffman, Maurice ‘Seani B’ Delauney, Andre Stefan Hall, Sean Alaric Ricketts, Phillip ‘Winta’ James and Dayan ‘Pete’ Foster.

Mixing engineers were Mario ‘Dunw3ll’ Dunwell, Donovan ‘Doncorleon’ Bennett, Mix Master Garzy, James ‘Bonzai’ Caruso, Maroon Riddimz, and Gregory Morris. The executive producer was Christopher Chin, with mastering by Christopher Scott (at Castek Systems Solutions). Photography and art direction/ design was by Samo ‘Kush-I’ Johnson. Additional edits/ production was by Deron James. A&R was by Neil ‘Diamond’ Edwards. Legal and business affairs/ A&R admin was John McQueeney.

Courtesy credits were also noted to Def Jam Recordings (Masicka’s appearance), Amari Musiq Ltd. (Patoranking’s appearance), Analog Metaverse and Warner Chappell Music (for Dennis Brown samples and interpolations), and Music of STB (Beres Hammond’s “Irie & Mello” interpolation).

This album is a particular favourite of mine as Romain seems to pour his gentlemanly charisma into all of the songs presented. “Red Dress” is my top pick, followed closely by “Want You Now”, and “No Curfew”. All the collaborative songs sounded complete and satisfactorily complimentary. This is just one album that you have to get familiar with; feel free to ask any member of Virgo’s solid fanbase who will be sure to agree.

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Blessings in abundance!

Geo Lyrical: ‘Resurgence’ EP

Artiste Geo Lyrical released his second EP, ‘Resurgence’, earlier this year. Featuring credited work by Blak Yaad Productions, Nyze Boxx Music, Iconix Beatz and Frankie Music, the EP encompasses the present state of the musical prowess of Geo Lyrical. The EP was executively produced by 1 Duss Records, with the EP cover designed by Joel Designz.

The ability to put pain into art is a tool being developed by many talents, and Geo Lyrical has has honed his skills into a collection of songs that provoke thought, reflection, meditation and self-regulation. Songs like “Weh Me Heart Gone (W.M.H.G)”, “Light”, “Nothing Nuh Change” and “Last Cry” spoke to me especially. The riddims may have been slightly monotonous in terms of a trap dancehall feel, but for the themes covered in the lyrics, it seemed a fitting choice.

In 2024, we have become more acquainted with opening up about our pains and hurts. Covering them rarely increases the health of the individual; rather, it contributes to a number of incorrect thought processes that complicate the issues. Music is a great medium for airing one’s thoughts as it enhances the understanding and accountability of the individual involved, and ‘Resurgence’ is a perfect example of this.

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Blessings in abundance!

Alloby: ‘Allo B Thy Name’ EP

Alloby‘s newly released EP, ‘Allo B Thy Name’, is an interesting product. An Afrobeats/ dancehall offering, the EP includes seven tracks by the burgeoning act who is determined to top the charts and gain all the meaningful musical accolades along the way. Production was handled by 3Kings Music Group and Upper Peak Studios.

Asked if he was worried about the name of the EP, ‘Allo B Thy Name’, a play on ‘hallowed be Thy name’ being construed as blasphemous, he responded: “They will still have something to say, at least I didn’t say ‘science be thy name’.”Jamaica Observer

The EP touches on love, romancing, dashing out, being alone, being a soldier, and just having a vibes overall. I found it to be a pleasant listen, showing enhanced forethought going into the music from a local act. The lyrics are catchy, and the melodies are simple enough so that you want to sing along. With enough promotion, these are songs that can do numbers worldwide. My only problem? Two minutes is way too short when you’re rocking to a song.

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Blessings in abundance!

Clane Matthew: ‘Love Letters to K’ Album

‘Love Letters to K’, the fourth studio effort from Clane Matthew, was released on February 14, 2024. Produced by Matthew and Sirdelapp, the album features Don Lavish (“Waiting For You”), Yannè (“123”) and Demi (“Drop It Guh Down”).

Clane has been making a name for himself locally and internationally, and continues to gain fans and make appearances worldwide. This is album is of a similar niche such as ‘To Tanesha’ by Vybz Kartel. In this lane, emotions and vulnerability are the order of the day, and Clane does well in baring his soul.

The album is a nice listen for lovers , those who love love, and even those who like to reminisce on sweet memories. Clane has always managed to grab attention with his lyrics and harmonies, and his approach to subject matters. An album for all seasons, ‘Love Letters to K’ is a nice addition to Matthew’s catalogue.

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Blessings in abundance!

Dexta Daps: ‘Trilogy’ Album

‘Trilogy’, the latest release by Dexta Daps, is a mix of genres, styles, topics and collaborations that work. The 16-track album featured accompanying acts such as Masicka (“OK”), Chronic Law (“Friendship Sale”), Rally Banks (“Wuk Fi Mine”), Jada Kingdom (“Purge”), and Alaine (“See It Yah”). Qyor, Bounty Killer and Jahshii are also credited as supporting the album. ‘Trilogy’ was released by Dexta Daps Music Group.

Dexta really steps out in this collection. He is most widely-known for songs for the ladies, and these are always appreciated and fill a considerable number of spots on the album. However, Daps also deals with love, friendships, badness, dating double standards, and showers of blessings. The clean version is also available so everyone can have a listen.

It is amazing to witness Daps’ growth as a well-rounded singer, songwriter and performer. I was one who thought his musical maturity would not see much development any time soon, but over the years I have been proven wrong by the variety of works he has been able to apply himself to. This album is a notable example of modern Caribbean music.

To listen to ‘Trilogy’ and access Dexta Daps’ work, please see the accompanying links:

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Blessings in abundance!

Prince Saj: ‘Conquest’ EP

If you follow the Magnum Top Performa competition, then you’d be familiar with the second place 2021 winner, Prince Saj. Making waves with the message of the gospel laid out on hardcore dancehall beats, Saj has been making his voice familiar at numerous live events on the scene. His recently-released EP, ‘Conquest’, was produced by DaJourney Productions.

According to Prince Saj, DaJourney is also his manager and resides overseas, meaning that the production process for all seven tracks took place by video phone and similar communication. This chemistry become evident when listening to the songs, as his passion for ministry is embodied in each song and the production quality never wavers.

I’m used to Prince Saj’s gritty, fast-paced lyricism, but this EP surprised me with his ability to give form and shape to his songs. Even as he works to define his sound, it is highly interesting to hear the various outcomes. “Marriage is Beautiful”, for example, sounds like a well-made Christian love song anthem. “God with Us”, on the other hand, takes on the form of an afrobeats banger that could have used a little more development. Overall, if you want an updated idea of where dancehall gospel has reached today, this EP is a sure listen.

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Blessings in abundance, and a Happy New Year!

Irie Souljah: ‘All About Love’ EP

Irie Souljah continues to build a solid body of work with his second EP, ‘All About Love’. Produced by himself and Genius T, the 9-track body of work features Chronic Law (“Thankful”) and versions of “Helping Hand” featuring Iya Terra and Anthony B. The EP was released for Ineffable Records, with other team members including Steve Urchin, Abigail D. Palmer, Dave Jah Clarke and HazzleBeatz.

The EP is an interesting listen. It appears that Souljah, who originally hails from Spain, went for more of an international feel, blending aspects of R&B, dancehall and Afrobeats into mostly reggae rhythms. The result is a smooth flow of carefully curated melodies and arrangements that make even the featured acts bring their best game to the recording booth.

The EP goes from being in love, to running out of love, to being thankful, to giving a helping hand, and just presents an overall wholesome, family-friendly package. Chronic Law’s approach was especially appreciated, and tracks like “Reason Why” and “What It Feels Like” have become personal favourites. This is an EP I’m glad I took the time to listen to.

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Blessings in abundance!

Monifa Goss: ‘Eve’ EP

A simple google search of the name ‘Monifa Goss‘ will show a plethora of accolades, accomplishments, appearances and accompaniments that have cemented the status of this burgeoning creative in Jamaican music. Presenting her EP ‘Eve’, Goss compiles six tracks that show genre diversity, a strong-will approach to subject topics, and proof of well-trained musical sensibilities. The EP was produced by the Creed Music Global and EMPIRE labels.

The tracks are generally catchy, and will certainly have your attention. Though not a fan of feminism, Goss’ interpretation of music in convincing enough to have me considering submission. From singing along to “Outside” and the impressive bravado in “Bad Gyal”, to hearing Daddy1 wax poetic with her in “Vibe”, the production quality is hard to miss. Also featured on the EP is Gabrá (“The One”).

I believe that what sets Goss apart is her willingness to explore. For men, women and others, music can be an industry where sticking to norms and expected patterns is seen as the safe way to build an audience and have a fan base. Monifa tends to leave safety behind and unleashes unbridled energy that manages to relate to those who aren’t even fans of her sound. Add to that her consistency to successfully punch above her weight, and you have an artiste that you definitely have to look out for.

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Blessings in abundance!

Samory I: ‘Strength’ Album

“It’s not just that every bar is tucked into the deepest part of the pocket. It’s also that Samory somehow manages to be vulnerable, broken, triumphant, plaintive, and passionate all at once — all in the same chorus, even. It’s enough to make you shake off a down year, and look forward to ‘24.”Rolling Stone

Samory-I presents a wholly mature, developed sound in his second album, ‘Strength’. The 11-track offering consists of reggae-based songs of various themes, from social commentary, love and self identity to fatherhood, harvesting, and peace. I thoroughly enjoyed it my listening session, no tracks skipped. Featured acts include Lila Iké (“Outside”), Jesse Royal (“Continent”), Kabaka Pyramid and Capleton (“Wrath”), and Mortimer (“History of Violence”).

Songwriters were credited as being Samory Frazer, Phillip James, Gregory Isaacs, Alecia Grey, Keron Salmon, Clifton Bailey III, Glenford Lee Prospere, Mortimer McPherson, Sherieta Lewis-Rodney. Composers were Phillip “Winta” James. Publishing was done by Sony Songs, MNRK Music Publishing, Westbury Music Ltd (BMI) and NW Collections/ Jack Russell Music Ltd, KGN Six LLC, Capleton Music, Glenford Lee Prospere Publishing, BMG Rights Management, and Greensleeves Music Publishing Designee.

Bass was played by Donald Dennis and Devon Bradshaw. Piano and organ were played by Llamar “Riff Raff” Brown. Percussion was done by Hector Lewis, and drums by Wilburn “Squidly” Cole. Horns were by Michael “Bammy” Rose and Gabriele Pribettu (saxophone), Kevin Robinson and Robin Hopcraft (trumpet) and Henry “Matic” Tenyue (trombone). Electric and acoustic guitars were by Ian “Beezy” Coleman and Lamont “Monty” Savory. Programming and synthesizers were by Winta James and Evan Mason. Background vocals were done by Boom Boom, Carl Scharschmidt, Mortimer, Sherieta Lewis-Rodney, Chevaughn Clayton, Lymie Murray, Medisun, and Dalton Browne.

Recording was done by Jaime Zugasti (BBMC Studio, London), Fumiaki Ogata, Winta James, Gregory Morris, Michael “Boxy” Howell (Tuff Gong, Kingston), Kamal Edwards, Tandra Jhagroo (Big Yard Music Studios, Kingston). Mixing was done by Niko Marzouca and Robert Marks (Niko’s House, Florida), Gregory Morris (Tad’s Recording Studio, Kingston), and James “Bonzai” Caruso (Green Lion Studios, Las Vegas). Mastering was done by Chris Athens (Chris Athens Masters, Texas).

The album was executively produced by Phillip James and Claire Osman. Claire Osman, Lem Oppenheimer and Eric Smith were the product managers. Photography and design was by Yannick Reid. Management was by Bridgett Anderson and Claire Osman, with Oralee Bras was executive assistant. The album was produced with Overstand Entertainment under license to Easy Star Records.

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Blessings in abunance!

Tatik: ‘Powaful’ EP

Listening to ‘Powaful’, the EP released by Tatik, it felt akin to a salve for my mental state. Six tracks included, I was reminded of God, my pains, overcoming my struggles and how all these factors can intertwine to make life what it is. Featured acts include strong verses by Shane-O (“Off God’s List”) and Chronic Law (“Chronic Law”).

The EP was produced by Skyviews Entertainment, Greyhut Productions, Madboss Music, Shynal Music, and Minto Play Da Riddim. Mixing and mastering were done by Simpac Music. The EP has been getting considerable notice, with tracks like “Communication” vying for first place along with “Strongest Soldier List” and “Proud”.

I wish Tatik all the best as he continues to expand his offerings while healing the streets. With songs this catchy and messages this solid, I have no misgivings that he is carving out his niche in the musical arena, and is definitely setting his place in the annals of our aural history.

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Blessings in abundance!

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